VIDEO ODDITIES, or VHS: Video House Safari
john cribbs
DR. BUTCHER
A Brief Introduction
Alexandria's Video Vault isn't a three-story building anymore. It's nestled in a basement under a furniture store, but the important thing is: it's still there. It survived where so many Blockbusters and Hollywood Videos in the area have cleared out, crushed by the economy and rise of Netflix. I still remember the first time I called the 'Vault, having come upon it in a phone book my freshman year in high school:
"Ok yeah this is gonna sound stupid, I apologize in advance, but do you guys have a copy of Lesbian Vampires?"
"Yeah."
"All right well thanks anyw - What?"
"Yeah we've got that one. That's my favorite Jess Franco."
"It is?"
"Absolutely. Have you seen Sadomania?"
(Ok I admit I spiced that up a bit - I was actually looking for Armour of God. But whatever dude, I'm hip get off my back.)
Over the years Video Vault led me to countless treasures. I can't imagine how I would have gotten through high school without all the Cronenbergs and Herzogs and Pasolinis they had that Blockbuster didn't even have in their catalog much less on their shelves. Their huge cache of films by Louis Malle and Claude Chabrol, Peter Jackson's Bad Taste (which I first saw an ad for in their video catalog) and Robert Bresson's L'Argent, recommended to me by one of the guys working there. This is years before Criterion, yet I was able to see Shock Corridor, Kwaidan, Sans Soleil (and, you know...I Spit on Your Grave and Don't Mess with My Sister) thanks to them.
This is the first year where absolutely nobody anywhere is creating or distributing new VHS tapes. It's not such much that I miss the format (I just bought a Blu Ray player and it. is. awesome.) It's really the passing of the social aspect of video renting that I lament. With DVR On Demand, HD disc technology and online rental services as well as comprehensive movie databases changing the home entertainment market seemingly every second, the days of seeking something odd and interesting aren't just waning, they're pretty much gone. So these days I return to Video Vault to do something I always took for granted: to browse. And what I find, I'm bringing home and I'm writing about it. Hence this little regular column: my ode to the odd.
Two quick things: I'm not a great lover of "camp." I don't typically have an ironic appreciation for drive-in/exploitation or straight-to-video action or soft core movies. If anything I'm drawn in by how genuinely weird and innovative some of these films are, but unless I'm watching an episode of "Mystery Science Theater 3000" I'm never on the lookout for the so-bad-it's-good brand of B-movie. Nor am I someone who looks down on these flicks just because some of them never played in theaters or got reviewed in respectable newspapers: I basically do my best to judge them as I would any other film, free of prejudice. At the end of the day I'd sum it up by simply saying the merit of the movie stands on its own, and I'll be looking at each entry with equal expectations. The only rule: I'm going to go into each movie blind, based solely on the video box art. Sure the occasional actor or director name might jump out at me (or, in the case of George Kennedy, appear ubiquitious) but I'm going to try and base my selections solely on the power of the marketing.
Maybe there's no Big Important Meaning behind all this, but whatever - I'm pretty excited!
#1: DR BUTCHER M.D. (1980)
"We have nothing to worry about as long as we stay alive."
Dr. Butcher MD (Medical Deviate) was a big disappointment...and kind of the perfect title to start this regular column with. Based on the amazing cover art and colorful taglines decorating the front cover I expected to be spending 93 minutes with a "depraved, sadistic rapist" and "bloodthirsty, homicidal killer" who, despite his flaws, at least offers the convenience of making house calls. That is to say, he's willing to rape and kill you in the comfort of your own home or apartment, damn the hour and personal expense. How many depraved, sadistic, bloodthirsty, homicidal physicians with a degree in
medical deviation can you honesty say offer that service?
The movie opens with an establishing shot so dark it's impossible to see anything. What it successfully establishes is that it's night time, somewhere outside. Some dark gray structures lined up in a row eventually become recognizable as tombstones. A close-up of one reads "Snuff Maximus." Then Snuff's stone begins to...totter. I wouldn't say shake. It totters like a see-saw or a wooden rocking horse. A hand emerges from the soil beneath the grave and soon there's a Michael Jackson video's share of the undead loitering about. The ominous music suggests these creatures are dangerous, but there's nobody around to chase: it's more like a poorly-lit zombie fashion show. Finally a newspaper flies into frame with the headline "Terror Grips City!" sprawled across the front page. (I hope that, if the zombies see this, it doesn't ruin their social get-together.)
Next we are magically transported to a hospital, and the first scene proper is set in the morgue - a great start to this particular movie, as we're already aware that some sort of medical deviation is going to take place, and what better place for it to happen than at a morgue at night? Silhouetted in the doorway is a man holding what is unmistakably a surgeon's bag. He walks into the room full of fresh corpses, snaps the bag open and puts on a pair of plastic gloves (insanity need not be insanitary.) Nothing seedy about this: just your friendly neighborhood medical doctor putting in some late hours, and I'm sure the dead bodies don't mind. He uncovers a cadaver, removes a saw from his satchel, and proceeds to very unprofessionally hack off the poor corpse's hand! Even with the dead guy's consent this would be considered disreputable! This guy isn't a medical doctor - he's a medical deviate!
So we gotta assume this is the man himself, the fabled physician whose deviate visage graces the cover of the video box. What's he up to? Where's that hand going? Will it later be the subject of some grating pun? Is this guy building some kind of Frankenstein's monster in the basement of the hospital right under the unsuspecting noses of nurses and colleagues? And will he, as the box would have us believe, start branching out into the nearby urban neighborhood paying house calls on potential donors? The possibilities hinted at in this opening scene are absolutely titillating.
[Sorry I've got to pause here momentarily: feel free to skip to the next paragraph as this is merely an aside. I'm writing this at the Walter Reed hospital, where my dad is currently having an operation. And I'm not shitting you here: the second I finished that last paragraph, a middle-aged man with only one hand sat down directly across from me. He doesn't even have a prosthesis, he's just clearly missing one hand. If that isn't the creepiest shit that happens to me this week, I'm in for some freaky goddamn shit.]
So anyway I'm less than five minutes into the movie, and based on the opening scene here's the plot I'm imagining: Dr. Ignatius Hurvel Butcher MD (along with his assistant, resident aneSLEAZYologist Malcolm Practice) is abusing hospital facilities and his privileges as a practitioner to experiment with re-animation. He's got the severed hand laid out on a slab all jiggered up to electric wires, the fingers wiggling around of their own accord. This kind of thing wouldn't even be too bad were he merely depraved and sadistic - but unfortunately this guy's also bloodthirsty and homicidal, not a good combination for a licenced healer with a degree in deviation willing to put in the extra hours for house calls. Due to his madness he's going to misinterpret his Hippocratic Oath: whatever houses he visits, it's not going to be for the benefit of the sick, and will probably lead to a lot of intentional injustice, mischief and sexual relations (be they free or slaves.) He's going to have a pretty liberal translation of "do no harm" is what I'm saying...
(continued on page 2 of "Video Oddities #1: Dr. Butcher")
<<Previous Page 1 2 Next Page>>
home about contact us featured writings years in review film productions
All rights reserved The Pink Smoke © 2008